The core theoretical principle is that effective action-comedy synthesis requires a unified filmmaking framework where comedic logic and physical kinetics share identical structural constraints regarding perspective elevation, prop interaction density, spatial clarity, temporal rhythm, and emotional payoff mechanisms. This mechanism operates within the specific domain of performative arts theory by asserting that distinct genre labels (action vs. comedy) are superficially divergent applications of a single underlying set of production rules concerning camera stability, shot continuity matching, injury realism, and narrative persistence, which collectively generate an organic integration of humor and violence indistinguishable in structural composition but differentiated only in tonal execution within the broader discipline of film studies.
The core theoretical principle is that effective action-comedy synthesis requires a unified filmmaking framework where comedic logic and physical kinetics share identical structural constraints regar…